![]() ![]() According to Mick Green, this single was issued to test the waters whether Kidd and the Pirates could be split into two successful acts however, the single was not a hit, which put a stop to any further experiments on this front. Both sides, "My Babe" and "Casting My Spell" featuring Spence on vocals were recorded in one take each, a sign of this Pirates line-up's power, ability and confidence. The "Hungry For Love" recording session was very productive, also yielding a Pirates-only single. The follow-up, " Hungry For Love", was also written by Mills and broke into the top twenty during the autumn, fending off a competing EP version by The Searchers. ![]() Kidd responded by recording Gordon Mills' " I'll Never Get Over You", originally a Buddy Holly styled B-side issued by Mills' erstwhile group The Viscounts and reaching number 4 on the UK chart in the summer of 1963. ![]() The explosive rise of the 'beat groups' in 1963 outshone the slow-burning R&B scene without a single release Kidd and his Pirates were losing valuable momentum on the chart front. A projected single in keeping with the new sound, "Some Other Guy" was left unreleased in early 1963 allowing The Big Three to score their first chart entry. The group would deck out in 19th century pirate costume in front of a huge backcloth of a pirate galleon, with Kidd toying with a cutlass. In retrospect this disc, which debuted Green's unique playing style incorporating alternating lead and rhythm guitar figures, can be viewed as the sonic bridge marking the transition of British rock and roll into British beat. The new line-up's first single with Kidd, "A Shot Of Rhythm And Blues" (coupled with "I Can Tell") managed to break Kidd's dry spell, entering the lower reaches of the chart toward the end of 1962. Patto soon left and was replaced by Mick Green (lead guitar), who had also backed Dudley. Johnny Spence (bass), Frank Farley (drums) and Johnny Patto (lead guitar), had recently backed Cuddly Dudley as "The Redcaps". "Hurry on Back to Love" was more bluesy than anything Kidd had previously attempted and indicated a possible new musical path.Ī new Pirate trio was recruited. Kidd meanwhile cut a "solo" single backed by a bigger band sound. After this liaison ended, Cattini and Caddy joined a Joe Meek backing band who evolved into the Tornados. When the single failed to chart, the Pirates- Clem Cattini, Alan Caddy and Brian Gregg – decided to jump ship and joined Colin Hicks as his "Cabinboys" on a 6-week tour to Europe. "So What" featured a piano solo from Morgan "Thunderclap" Jones. However, it featured a B-side which turned out to be a minor UK rock 'n' roll classic. The swansong recording of this line-up in 1961, "Please Don't Bring Me Down" failed to chart. 1 in their home country and skirted the US Top 20 with a cover version in early 1965. The song and the group's proto- power trio line-up both made a strong impression on the Who, who would cover it in their 1970 album Live at Leeds, whose CD liner notes proclaim the original to be the UK's best pre- Beatles rock single. ![]() Kidd and the Pirates' most famous song was " Shakin' All Over", memorable for opening guitars and solo from Joe Moretti, it reached number one in the UK singles charts in 1960. When the group appeared on Saturday Club between 19, Mike West and Tom Brown shared the vocals with Kidd. The song has been covered many times since, most successfully by the team of Motörhead and Girlschool known as Headgirl. This became a minor hit reaching number 25 on the UK singles charts in 1959. Their first single was the raw "Please Don't Touch", penned by Kidd. The original group came under the management of Guy Robinson and was signed to HMV in 1959 under the auspices of producer Walter J. The group disbanded after Kidd's sudden death in an automobile accident, but former members of the band reunited as The Pirates and continued performing until the late 2000s. Their stage act was theatrical, including wearing full pirate costumes, echoing their rock 'n' roll contemporaries such as Screaming Lord Sutch & the Savages and Nero and the Gladiators. Their musical journey spanned from the late 1950s to the mid-1960s, during which they achieved considerable success with hit songs like " Shakin' All Over" and " Please Don't Touch". Johnny Kidd & the Pirates (known simply as The Pirates after their reunion) were an English rock band led by singer/songwriter Johnny Kidd. ![]()
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